Phillip Vazquez, 24, explains why the new comic series “I Hate Fairyland” is one of his favorite new additions at The Record Store in Howell. STAFF PHOTOGRAPHER ERIC SUCAR Standing among the tens of thousands of comic books that line the main aisle of The Record Store in Howell, Phillip Vazquez is in his element.
The dozens of long, white cardboard boxes stuffed with comic books may look daunting to the uninitiated, but to Vazquez, who works at the store, every box signifies more than just collections of ink and paper.
“There is just such a variety with comics. It doesn’t have to be just about superheroes,” said Vazquez, 24, of Howell. “The limits are non-existent.”
For millions of people like Vazquez, each weekly release of new comic books is a chance to visit faraway worlds, catch up with old friends or peek into the machinations of evildoers.
Each “bagged and boarded” book is a new world of possibilities.
Comics can have varying values based on a number of different factors, including rarity and the physical condition of the copy. Thousands of comics like “G.I. Joe” go through several price adjustments as time goes on. STAFF PHOTOGRAPHER ERIC SUCAR “I think in some ways, people can connect to the stories and escape from reality,” Vazquez said. “People like to connect to the stories, characters, art, writing. So many things go into a comic book that hooks someone at some level.”
While comics have been a staple of Americana since the late 1930s, a recent boom in popularity for the medium has turned the long maligned “comic nerd” into a more socially acceptable character. “I think people are much more comfortable identifying themselves as a ‘nerd,’ ” MAD Event Management President Martha Donato said.
Last weekend, Donato helped kicked off the first New Jersey Comic Expo at the New Jersey Expo Center in Edison.
Conventions, or “cons,” are social gatherings where enthusiastic people gather to share their love of a particular industry or form of entertainment by participating in panel discussions, meeting professionals and visiting exhibitions, among other activities. In the case of comic book conventions, that usually means opportunities for fans to meet writers and artists, have their comics signed and purchase collectibles from their favorite shows or comics from various vendors at the show.
“I like to create a sense of community where people come in and feel like they belong,” Donato said. “If you’re coming in a costume, as a collector or as a casual fan, you get a sense that you belong there.”
While not the first convention of its kind in the state, Donato said the show was the product of a growing interest in cons in recent years.
“In ‘The Big Bang Theory,’ the characters reference going to comic book conventions constantly,” Donato said. “It’s become part of the mainstream culture…it’s a worldwide phenomenon.”
In October, the 10th annual New York Comic Con was the host to nearly 170,000 people over the course of four days at the Jacob K. Javits Convention Center in Manhattan.
And while it may be easy to conjure an image of 170,000 stereotypical nerdy males crammed into a convention center, recent years have seen a spike in attendance from female comic book fans, according to Donato.
According to a September report by Graphic Policy, which compiles demographic statistics about comic readers, approximately 18 million American women accounted for nearly 43 percent of Facebook users who self-identify as comic book fans.
That shift, Donato said, is a major paradigm shift for comic books as a whole.
“‘Nerd’ used to be a moniker for a guy, but now girls are even identifying with it, which changes the dynamic, and that makes it more culturally acceptable,” Donato said. “It used to be that if you were labeled a nerd, you weren’t attractive to the opposite sex.”
As a regular attendee of comic conventions, Josh Peck, 24, of Bradley Beach, said the change in demographics stems mostly from the mass appeal that each show tries to generate.
“Comic Con is such a gigantic spectacle,” Peck said. “You could have never read a comic book in your life and still be entertained by comic con.”
Over the years, Peck has worked as a vendor at various conventions for a small Waretown-based comic book publishing company called Angry Drunk Graphics.
Peck, who currently has a career in production for various venues in Asbury Park, said he found his calling at conventions.
“I was in college and going absolutely nowhere. I had no direction, but I did realize that when I worked a comic con, I loved it,” Peck said.
Peck said the hustle he experienced making sure the logistics of running a booth at a convention went smoothly excited him.
“I looked around one year and wondered how I could do that as a job,” Peck said. “What I was doing was essentially production… and that essentially fueled the fire to get me into the position I am in now.”
Though he said he got paid for his work, Peck said his time at comic book conventions have been fun, yet expensive experiences.
“Whenever I head out to a con, I usually walk away with a lot less money than I came with,” Peck said.
It’s a story that should be very familiar to most comic book fans. After all, comic books are big business.
According to estimates from John Jackson Miller, of Comichron.com, and Milton Griepp, of ICv2.com, sales of graphic novels and comics in North America totaled $935 million in 2014.
Last year’s sales numbers, according to Miller and Griepp, represented a seven percent increase from the previous year and an even larger jump from the $255 million to $275 million estimate from 2000.
That success is largely attributed by fans and experts alike to the mass appeal that films, television and video games have brought to the comic book industry.
“Nobody really knew about ‘The Walking Dead’ before the TV show came out,” Peck said. “If people watch that show and hear that the book is better…it could spark someone’s interest to go back and read the comics.”
Vazquez, who studied at the University of the Arts in Philadelphia to become a comic book artist, said the influx of new fans was an exciting proposition for the industry as a whole.
“I have friends who would have never picked up a comic book before, but after the movies came out, they wanted to know more,” Vazquez said. “It’s just more people to share the experience with.”
While fans such as Peck say they are excited that the movies are playing a big part in the comic book world, some fans are a little more resistant to outside influence.
Though Adam Nieves, a 19-year-old who works with Vazquez, admitted that movies were what got him into comics, he said he worried that Hollywood was sometimes changing comic books and not the other way around.
“I’m iffy about it because it really depends on who works on the movies,” Nieves said. “They have a big impact on how the comics come out, which is something I don’t really like.”
Much like some fans’ resistance to change coming from Hollywood, recent data show that a vast majority of comic book readers are shying away from recent advancements in digital comic book distribution.
Of the estimated $935 million in sales last year, only $100 million was spent on digital comics available on various smart devices.
In a medium still dominated by print, fans such as Peck said those figures prove that many believe the best experience comes from actually holding something tangible.
“You’ll never get the same feeling reading comics from a piece of plastic or glass,” Peck said. “Certain comics from certain eras have certain smells. You can’t smell an iPad.”
For Peck, the allure of comics not only stems from the stories found inside, but also the historical value that comes from owning a physical collection.
Ever since inheriting his cousins’ comic books in the late 1990s, Peck has been an avid collector of comics from the “Golden Age” and “Silver Age” of comics and beyond.
“I had an interest in picking up the things that shaped and molded what we have today in terms of content,” Peck said. “I am fascinated by … all the things that shaped comic history as a whole.”
While the historical aspect of comic book collecting has been a driving force for his collection, Peck admitted that it sometimes goes a little deeper than that.
“I’ll get stuck on certain writers or artists and then feel like I need to have or read everything that they ever did,” Peck said.